Kelly Mears

Colony Sim

a genre of indirect settlement control where production chains and mood systems generate stories rather than just outcomes.

Play & Games2 min read364 words8 out · 3 in
also calledColony SimulatorSettlement Sim

Colony Sim puts the player in indirect control of a settlement — issuing priorities, zoning and stockpile targets rather than moving individuals directly — and lets a population of semi-autonomous agents interpret orders through pathfinding and need-driven Game AI the player does not script. A colonist decides for itself whether to eat, sleep, fight or flee based on a stack of needs and a mood value, and the player's job is to shape the environment those decisions run inside, not to make them.

Production chains and mood systems are the genre's two load-bearing structures. Raw materials pass through zoned buildings toward finished goods, often against a seasonal clock imposing its own Time as Resource pressure, and every link is a place a shortage can start; one missing component stalls everything downstream, and a long enough chain turns a bad harvest into a colony-wide Path Dependence problem no single fix reverses quickly. Mood meters make agent behaviour legible, but players optimise them the way any visible number gets optimised — chasing the highest sustainable score rather than the roleplay it was meant to represent is Goodhart's Law playing out one colonist at a time.

Failure cascades are where the genre becomes a narrative generator rather than a management toy. Dwarf Fortress is the canonical instance, simulating grudges, injuries and generated history in enough depth that its disasters get retold as sagas and "losing is fun" became the genre's motto. RimWorld, its terrain shaped by Procedural Generation, is the tuned version of the same idea: a raid arrives while the granary is empty, a colonist has a mental break, and the spiral reads as a story with characters rather than a spreadsheet with a red cell — a close cousin of Environmental Storytelling, except the environment authors itself live. Its Observability, the tools it gives players to see why things went wrong, is tuned for retelling as much as diagnosis. Anno keeps the same production-chain bones but redirects tension toward trade, and Cities: Skylines pushes furthest toward pure infrastructure, where the population is traffic and utility load rather than people with names — a boundary with the Factory Game that stays genuinely blurry at that end.

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